Those Daring Young Men
What is it with this fascination with premature death, with all these premature ejaculates? They are sick; their deaths are sad, tragedies. I am confused by Spaulding Gray, and Hunter S. Thompson, Richard Brautigan and the biggest tuna, Ernest Hemingway, dead swashbucklers, dead by their own hands.
How is it admirable or acceptable to overlook Hunter Thompson's blowing his brains out at home while on the telephone with his wife, with various household members, a son, a grandchild present? She thought he had just put the phone down for a moment when she heard the gun. How is this "going out" before the downward trajectory begins; how is this noble, brave, or anything more than cowardice and vanity, except maybe in sports? How is living up to one's self-created gonzo, wild and crazy guy image warped into a signal of greatness and self-perception? This is not perspicacity, nor is it wisdom.
It troubles me, as a product of many of the same indulgences and appetites. I, too, harbor dreams and illusions and share some, maybe many, of the same sensitivities. Thompson's suicide unsettles me. Hunter Thompson's bored and idle choice to die crossed my line in the sand: it will not stand! in the words of Papa Bush. It is wrong, wrong, wrong!
What is this fantasy of obliteration by guns about? The end is almost certain, a violent, messy, bad end. Maybe it is not as destructive as that idiot who derailed an Amtrak train, copping out in time to save his own backside while injuring hundreds and killing tens of people. Hemingway and Thompson used shotguns, elephant gauge no doubt (like the one in Jumanji, the movie), as they were such brawny guys. Brautigan was found weeks after he had died, killed by a high caliber bullet. His death was decreed a suicide. Spaulding Gray slipped silently overboard a Staten Island Ferry alone one winter night. "Some say the world will end in fire, others say in ice, I prefer. . ." Gray had been in a serious accident, he was depressed, he had attempted suicide before. Not that this makes it right. It is sad, a waste, a tragedy.
I am predisposed towards Kevorkian, dying of boredom in a Minesota jail, forgotten hero with a cause. And I'm all for the Oregon legal suicide program, and I support the Hemlock Society's views about euthanasia. I have known terminally ill cancer patients. Most of them endured the erosion of their lives until their spirits floated away from the living sedated on a cloud of morphine. Some were in a hospice, while others were at home. One man shot himself in bed at breakfast time, knowing that it might be his last chance to control destiny, his anger and his pain. I have no issue with those who do themselves in when it gets too bad, too painful to endure, without prospect of improvement and of living on their own terms. I guess it is the definition of quality and on their own terms where things can get tricky for my argument. I've always admired the Princeon Doctor who had Alheimers's and dealt with it by swimming out to sea. He was both his own doctor and patient, witness to the familiar, irreversible pattern of the disease's ravages. He knew he could no longer control his life. On his final day of life he did the things he enjoyed, bid good-bye to those who he loved, and left a note under his pillow, swimming out into the summer sea off Nantucket. His body washed ashore the next morning, drowned.
I am not often as judgemental. But as one prone the cycles of what must be mild depression, I have glimpsed despair. Unmedicated and undiagnosed, I am surrounded by many who have been. What I know is that there will be an upturn of fortune; I know that what goes up will go down, and I trust that like the sun and moon. There will always be another day. But these guys, not Richard Coreys perhaps, yet who have it just quit. They bailed, jumping ship when all was not lost, it was not their final recourse, not even close to it. Of this I am sure. These men knew as much or more than I do, yet they gave up, and it seems like it was for vanity less than desperation, especially in Thompson's case. They undermine my fundamental faith and basis underlying my will to live. Bad news, sickness, an episode of depression--they are all downers, with a destructive siren song, suggesting the ease of ending it all. It is the wrong song to listen to. Resilience is the word of this age. Bear with it, chin up. Fight the powers of darkness. We must learn to tie ourselves to the mast, to turn off the devil's music, full of sin.
And with experience, one comes to terms with these things, as life seldom grows any easier, as we weather many storms. "Such are the vicissitudes, my roommate Lanneau loved to say. Like a sovereign, tossing ship, a tiny vessel in the turbulent or tranquil sea that is our lives, we must stay afloat and will ourselves through sometimes harsh realities. We must hope for a ray of sunshine through a break in a cloud and a calmer stretch of sea and the reprieve of the end to a storm.
And so, of course, these self-obsessed, self-orbiting boys foreswore their trust in life. They could not grow up, they won't grow up, no they'll never, never grow old. Like Peter Pans, only grounded versions, six feet under grounded versions. They've clung to their own rigid images of themselves, and, when their fortunes dipped or their creative juices dried, they lacked the grace to grow or to crawl back in Yeat's words, to the "foul rag and bone shop of their hearts," the place where all [creative] ladders start, the energy to rebuild themselves. These men lost vision in the end. They could not see the forest for the trees.
I think it will be a grave mistake to laud them for their choice of death. I remember my mother's caution, "to walk a mile in someone else's shoes" before issuing criticism. I think I may have, so I speak. The message from these deaths should be 'do not follow me!" This was the wrong turn in the road, the short-sighted way to live and die. For all their greatness, these deaths are magnified and even more tragic. It fills me with sadness that these creative sensibilities have perished. No one can approach Spaulding Gray and ask him about the thrill he wrote about driving up Windmill Hill in Little Compton, and ask him some new question that he had never heard before, or share an insight or familiarity with a great grandchild. These lives a stopped prematurely and now their stories are forever stilled.
It seems like such a wimp-out, macho acts by girlie-men, such dubious acts of distinction, of self-extinction.

